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- actors: Nicolas Cage
- Genres: Horror, Sci-Fi
- Resume: When an iridescent meteorite plummets from outer space and into the property and foundations of a remote New England estate, a malignant force begins to insidiously permeate the lives of an unassuming family. The effects are gradual - time begins to dilate, nature assumes an otherworldly hue - and all things bright and beautiful eventually mutate and corrupt under its influence. So proceeds this eerie adaptation of the short story by H.P. Lovecraft, one of horror's most haunting, here presented by the enigmatic South African filmmaker Richard Stanley. Returning to Midnight Madness 29 years after his hypnotic killer-robot fandango Hardware first premiered in the section, Stanley summons his uniquely hallucinogenic sensibilities to envelope his endearing characters in surreal, incremental dread. At first, their domestic bliss is quietly fraught with an undercurrent of unnerving tension, before eventually boiling over into delirious, acid-fueled terror. The patriarch of this doomed brood is none other than Nicolas Cage, continuing his recent renaissance as a midnight-movie staple with an increasingly unhinged performance that reliably ricochets among every technique in the Stanislavski playbook. The rest of the ensemble, which includes Joely Richardson and Tommy Chong, play effective foils to Cage's delirium, but the real star of the show is the alien entity itself. This all-consuming, dispassionate menace manifests itself in a series of grotesque, body-horror, and psychedelic spectacles, worthy of its ineffable literary origins
- writed by: H.P. Lovecraft
- 2019
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I saw this on wednesday night. It played in one theatre at one time an hour away from me and I made sure I saw it and I was not disappointed. This is my new favorite movie. It was absolutely phenomenal. The poor Miller — thrice a victim. The seasons took his livelihood, I took his land, and now, uncountable years later, the comet has taken his humanity. My only regret is that I did not live to see that shoddy mill smashed to pieces by miraculous bounty I reaped from beyond the void. Nicolas Cage grapples with a weird luminous alien presence in the movie Color Out of Space. It's a story that has roots in a late-19th-century obsession with new forms of radiation, says Simon Ings Humans 12 February 2020 Few rival Nicholas Cage’s ability to capture the self-hatred of weak men Courtesy of TIFF Film Color Out of Space Written and directed by Richard Stanley Advertisement NICOLAS CAGE’S career-warping efforts to clear his tax debts after problems with the IRS continue with yet another relatively low-budget movie, Color Out of Space, a film no one expects much of. It is in US cinemas now; by the time it hits UK screens on 28 February, it will already be available on Blu-ray. But have you ever watched a bad film and found yourself dreaming about it long afterwards? Color Out of Space is one of those. Its origins date to March 1927, when author H. P. Lovecraft wrote what would become his favourite short story. In “The Colour Out of Space”, a meteor crashes into a farmer’s field in the Massachusetts hills. His crops grow huge, but prove inedible. His livestock go mad. So, in the end, does the farmer, haunted by a colour given off by a visiting presence in the land: a glow that belongs on no ordinary spectrum. This is Lovecraft’s riff on a theme beloved of science fiction at the turn of the 2oth century: the existence of new rays, and with them, new ways of seeing. The 1890s and 1900s were, after all, radiant years. Victor Schumann discovered ultraviolet radiation in 1893. Wilhelm Röntgen discovered X-rays in 1895. Henri Becquerel discovered radioactivity in 1896. J. Thomson discovered that cathode rays were streams of electrons in 1897. Prosper-René Blondlot discovered N-rays in 1903 – only they turned out not to exist, an artefact of observational error and wishful thinking. “Color Out of Space mashes up horror, psychological drama, and alien invasion” The last of those is pretty much what the local media assume has happened when Cage’s character, Nathan Gardner, the not-very-effective head of a household that is relocating to the country after unspecified health problems and financial setbacks, describes the malevolent light he catches spilling at odd moments from his well. The man is a drunk. A fantasist. An eccentric. The film is yet another attempt to fuse gothic horror with a contemporary setting. Director Richard Stanley (who brought us 1990’s Hardware, another valuable bad movie) has written a script that, far from smoothing out the discrepancies between modern and pre-modern proprieties, manners and ways of speaking, leaves them jangling in a way that makes you wonder what on Earth is going on. And what is going on, most of the time, is Cage. Has anyone ever conveyed so raucously, and yet so well, the misery, the frustration, the rage, the self-hatred of weak men? Every time he gets into a fist fight with a car interior I think: Ah, Nicolas, c’est moi. Even better for the film, Cage’s on-screen wife here is played by Joely Richardson, an actor who packs a lifetime’s disappointment into a request to pass the sugar. Alien life isn’t like Earth life and to confront it is to invite madness. That’s the general idea. But with tremendous support from on-screen children played by Madeleine Arthur and Brendan Meyer, Cage and Richardson turn what might have been a series of uninteresting personal descents into a family tragedy of Jacobean proportions. If ever hell were other people, then at its deepest point you would find the Gardner family, sniping at each other across the dinner table. Color Out of Space mashes up psychological drama, horror and alien invasion. It isn’t a film you admire – it’s one you get into internal arguments over, trying to sort all the bits out. In short, it does what it sets out to do. It sticks. Simon also recommends… Annihilation (2018) Written and directed by Alex Garland Body-plan genes are strangely refracted and species barriers crumble in this intelligent, ravishing take on Jeff VanderMeer’s cult novel. On Netflix. TV The Martian Chronicles (1980) miniseries Written and directed by Michael Anderson A weird, wise Mars gets under the skin of Rock Hudson and other hapless settlers in this intermittently brilliant adaptation of Ray Bradbury’s stories. On DVD. More on these topics: science fiction film.
Lovecraft and Nic Cage. Match made in R'lyeh. Its not easy to get a Lovecraft type of movie to work visually, this does it.
So if this is your type of taste its a rare treat but like most things if you dislike coffee even the best coffee will be very bitter to someone taking his first sip.
Cage once again shows he can work in this unusual space and definitely was the right actor choice and the rest of the cast is good.
While it does get the horror down well it seem to me to be lacking something that ive not been able to put a name on. Spoiler: The doll is Bruce Willis.
Darkness. El color que cayó del cielo movie online gratis. This looks intriguing but once again, too much of the story in the trailer.
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El color que cayó del cielo Movie online casino. El color que cayó del cielo Movie online poker. I actually liked this movie. It was't great, but it was good. Cage was miscast, and a different actor could have put this over the top. I mean a hungry actor, a less famous one. Hell, even a female lead would have been preferable. I know what everyone thinks. Too much PC kwap in Hollywood as it is." But for this movie it would have worked. They neutered the movie anyways, and a little controversy could only help the story. They should have included more animals also, dad's farm" would surely have had the infrastructure. The well was hokey, and the squatter (great role by the way) having running water was just stupid. This is the 21st century, and a digital story board costing a few Million could have fine-tuned this into something people would applaud. The visuals make it theater worthy - the awkward fumbling of the plot keeps it in the DVD rental category.
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El color que cayó del cielo movie online english dub. El color que cayó del cielo Movie online. So basically Sam Niell going insane in a movie is as likely as Sean Bean getting killed. 2:08 Me trying to tell myself it's ok when it's actually not. El color que cayó del cielo movie online hd. Movies | ‘Color Out of Space’ Review: Bother From Another Planet Critic’s Pick Nicolas Cage and Joely Richardson face an evil shade of lilac in this inventive sci-fi horror film directed by Richard Stanley. Credit... Gustavo Figueiredo/RLJE Films Color Out of Space NYT Critic's Pick Directed by Richard Stanley Horror, Sci-Fi Not Rated 1h 51m “Color Out of Space, ” apparently, is blindingly bright and magnificently malevolent. In this bonkers yet weirdly beautiful science fiction-horror hybrid (directed, with retro panache, by the great Richard Stanley), the light is a throbbing lilac and blood is Schiaparelli pink. And if I tell you that Nicolas Cage’s eyeballs will turn into ultraviolet high-beams, then you’ll know immediately if you’re in or out. Lovers of aberrant, gooey B-movies will be all in. Cage plays Nathan, a gentleman farmer who can show you how to whip up a cassoulet or milk an alpaca. Nathan’s main preoccupations are lingering daddy issues and a stalled sex life resulting from the recent illness of his wife, Theresa (Joely Richardson). But just as that particular dry spell is breaking, a meteorite crashes into their front yard, its crater releasing poisonous, multihued energy that alters DNA in disgustingly inventive ways. And when Theresa’s body begins a seeming attempt to suck the youngest of their three children back into the womb, an increasingly unhinged Nathan becomes convinced that only family solidarity will save them. Based on a 1929 short story by H. P. Lovecraft, “Color Out of Space” has more going on than just the squishy satisfactions of its old-school creature effects ( reminiscent of Rob Bottin’s ingenious work on John Carpenter’s “The Thing”). Using shape-shifting as a messy metaphor for sickness and childhood trauma, Stanley and Cage leap so far over the psychological top that they never come back to earth. By the end, my own eyeballs hadn’t changed color, but they must have looked like pinwheels. Color Out of Space Not rated. Running time: 1 hour 51 minutes.
AUUU, OVAJ NIJE NORMALAN. El color que cayó del cielo Movie online ecouter. El color que cayó del cielo movie online full. El color que cayó del cielo movie online en espanol. El color que cayó del cielo movie online 2016. El color que cayó del cielo movie online english. El color que cayó del cielo movie online free. El color que cayó del cielo movie online booking. 18 customer reviews There was a problem filtering reviews right now. Please try again later. January 24, 2020 Format: DVD Has the pleasure of seeing this at the Alamo Drafthouse near me. The movie is remarkably true to the key story points and while the performances are over the top, Richard Stanley captures the dread and charm of Lovecraft in a way I've not seen before. There are a few elements that felt extraneous and felt a bit indulgent for my tastes, but I cannot wait to see Spectrevision and Stanley put together the Dunwich Horror and whatever the third film in his Lovecraft Trilogy might be. Also, I hope you like alpacas, as they feature prominently in this film. January 27, 2020 Format: DVD I love the works of HPL and the mythos around them. A problem for me has always been the adaptations that have come from his work as I find 99% of them to be awful or nothing like the source material they are based on. "The Color Out of Space" is, in my opinion, a return to form for HPL adaptations AND for writer/director Richard Stanley. I loved every minute of this film and thought it did a great job updating the story that takes place around 100 years prior to today. The cinematography, the use of lines from the actual story, the tone, the references to the rest of "Lovecraft Country", the performances, and the actual horror were all great. I will definitely be buying the BD when its released in Feb and I hope it comes with plenty of extras and commentary. I saw this film at Central Cinema in Knoxville, TN January 25, 2020 Format: Prime Video Color Out of Space was based upon a story by H. P. Lovecraft, the celebrated American horror-science fiction writer. The story revolves around a family that live out in the woods who happen to have a meteor crash into their backyard. It infects the water and completely distorts reality for everyone involved. The movie is very mixed and will likely have people love it and hate it as well. Here’s the good. The story is very original. There are mixes of great visuals and horror mixed in together. Nicolas Cage who plays the father Nathan gets to play crazy and does a great job, and the daughter Lavinia played by Madeleine Arthur is a standout as well. The problem for me was that I never felt a connection to the film. Even when things started getting weird, which I usually like it just didn’t get me interested enough to care. The only redeeming quality was to watch Cage go nuts which is always fun, otherwise the movie did very little for me. January 29, 2020 Format: Prime Video When a meteorite crashes into the Gardener Farm Eldritch Horrors escape and infect the family with its colorful evil. Doing Lovecraft right is a tricky thing mostly because his horrors are usually unseen terrors that you only catch a glimpse of before going punching your ticket for the rubber room. Richard Stanley does a great job of teasing the horror and never really giving you more than a few horrifying glimpses of slimy otherworldly mutations. The few tastes you get are just enough you want to see more but never enough to dull you to the horror. The effects are really good and setup well. There is a scene just as the crazy ball starts rolling that had me wincing waiting for the knife to drop. Nicholas Cage is an excellent fit for the role with his dial to 11 mania but my favorite was Tommy Chong as the old hippie in the woods, Gotta Get It on Memorex. There really needs to be an entire movie series of Tommy Chong Harbinger of Doom. Fans of Lovecraft and fans of Horror in general will finds tons to love about this high energy thrill ride through the natural world run amok. Watch out for the Alpacas, those beady little eyes are watching you too. January 26, 2020 Format: Blu-ray I saw this in denver at the sie filmcenter and it really horrified many viewers. Who were commenting how it disturbed them. And it is a disturbing move which utilizes good make up effects that are created mostly, mixed with cgi as well. Nicolas cage really does a good job here and so does the rest of the cast. Cage was acclaimed for his performance in a borror film the year before too. So he is on a role as he goes into his later fifties. This movie is truly a good sci fi horror film that gives a hp lovecraft story some serious filmmaking here. January 28, 2020 Format: Blu-ray Based on a classic slice of short fiction by HP Lovecraft, this long-incubating adaptation is an overly flashy, effects-laden blend of sci-fi and horror. Nic Cage plays a semi-retired family man whose isolated upstate farm is struck by a meteorite, which then evaporates and causes all sorts of bizarre changes in the surrounding environment. Pink trees, mutated animals, unexpectedly abundant harvests, that sort of thing. Among the afflicted is Cage himself, who revels in the chance to amp up every last one of his craziest on-screen tendencies. My god, what a Cage-being-Cage film this is. He's howling, he's gesticulating, he's painted in blood and cackling, he's... suddenly and inexplicably changing accents? I'm not sure how much direction he took here, because it looks like they just focused the cameras and kept rolling while their star actor did whatever felt good, with the occasional interruption from family members or special effects showcases. And, as perversely entertaining as that can be, it doesn't merit a film unto itself. The scraps that surround those indulgent bouts of overacting are awfully scant, narrow and underdeveloped, like the worst '80s straight-to-video productions. It's trippy, but pointlessly so. We get cryptic prophecies and arcane imagery as props, mere window dressing that's waved around and then forgotten. Even the visuals can seem laughably dated, particularly the goopy, absurd creature effects. Catch the highlights when they invariably wind up on a YouTube gag reel - they're almost as funny as Cage's out-of-context lunacy in The Wicker Man - but do yourself a favor and skip the rest. January 25, 2020 Format: Prime Video saw at Regal Destiny in Syracuse NY had a blast! Would make a great double feature with Mandy.
I love Hardware & Dust Devil, so I'm hoping that this is a win for Richard Stanley.
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- Writer: Chino Chinchu Lin
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